God of evil west africa12/9/2023 The film-industry has been controlled by the state for a long period of time. In Ghana and Nigeria the development of the film-industry is very similar. An overview: Nigerian and Ghanaian Religious Video-Films It will be tried to give some reasons to explain the popularity of these films.įinally, the question will be answered, what impact these films could have on the society. It will be focussed on religious characters, but also the presentation of women and children in some contexts will be analysed.įollowing to that the perception of popular religious video films in the West-African societies will be discussed. ![]() What are their basic structures and main issues? In chapter four the presentation of the most common characters will be discussed. The first part gives an overview of the history of Ghanaian and Nigerian films including a short analysis of their similarities and differences.Īfter that follows a chapter solely dedicated to Christian films. This paper mainly concentrates on religious films, especially those produced by charismatic Pentecostal Churches. Often the various genres are mixed but all of the films got something in common: They reflect the modern urban life in contemporary western Africa and are an account of the current process of social change in many societies (Larkin, 2008:172). They range from comedy, romance and horror to religious films. These films cover a wide spectrum of different genres. They are an important part of modern African popular culture and have often displaced Hollywood films. Since the 1990’s West-African video films enjoy increasing popularity, especially those produced in Ghana and Nigeria. Conclusion: The Film in the Context of African Societies The Perceptions of the Audience and of the ProducersĦ. ![]() ![]() Main Issues and Structures of Popular Religious Filmsĥ. An overview: Nigerian and Ghanaian Religious Video-Filmsģ.
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